Posted by Newsbytes

Pablo Picasso's masterpiece, Guernica was painted in 1937 when he was commissioned by the Spanish Republican government to create a mural for the Spanish Pavilion at the Paris International Exposition. The inspiration for this piece came in the most unexpected and tragic way. On April 26, 1937, the town of Guernica, in Vizcaya, was bombed for about two hours during the Spanish Civil War by warplanes of the Nazi Germany Condor Legion, commanded by Colonel Wolfram von Richthofen, in support of the Nationalistic Spanish rebels led by Francisco Franco. The horrific carpet bombing attack was the first of its kind in history and reportedly an opportunity to test out new weapons and tactics.
Picasso completed the work quickly on June 4 1937, a grey, black and white painting, on a canvas 11 ft 5 in tall and 25 ft 6 in across, which portrays the suffering brought by violence and chaos. Prominently featured in the composition are a gored horse, a bull, screaming women, a dead baby, a dismembered soldier, and flames.captured the horror and desolation caused by the war.

In 1939, after being displayed in parts of Europe before WWII broke out, the painting was sent to New York on a tour for the benefit of the Spanish Refugee Committee. When World War II broke out later that year, Picasso requested that Guernica, as well as a number of other of his works, be held at the Museum of Modern Art (MoMA) on extended loan. Most of his works were returned to Europe after the war, however Picasso  asked that Guernica stay at the MoMA until the “reestablishment of public liberties” in Spain. The death of Picasso in 1973 and objections by Picasso's heirs who questioned Spain’s democratic credentials delayed Guernica's return to Spain until September 10, 1981 after being in the custody of New York's Museum of Modern Art (MoMA) for more than four decades.
Once landed in Madrid, the work was initially installed in the Casón del Buen Retiro, which was specially adapted to exhibit it under special security conditions, with armored glass protection. This location had a special significance since it was part of the Prado Museum of which Picasso was director. Later, in July 1992, the work made a final trip to the Museo Nacional Centro de Arte Reina Sofía.